Log in
Ensemble
- Long Sul Pont
- Long Sul Tasto
- Trill (Maj 2nd)
- Trill (Min 2nd)
- Tremolo
- Long Flautando
- Spiccatissimo
- Spiccato
- Staccato
- Marcato
- Pizzicato
Violin 1
- Performance Legato
- Live Patch
- Legato (Slurred)
- Legato (Portamento)
- Long
- Long Sul Pont
- Long Sul Tasto
- Long Harmonics
- Trill (Maj 2nd)
- Trill (Min 2nd)
- Tremolo
- Tremolo (Measured 150 BPM)
- Tremolo (Measured 180 BPM)
- Long Flautando
- Spiccatissimo
- Spiccato
- Staccato
- Marcato
- Brushed
- Pizzicato
Violin 2
- Performance Legato
- Live Patch
- Legato (Slurred)
- Legato (Portamento)
- Long
- Long Sul Pont
- Long Sul Tasto
- Long Harmonics
- Trill (Maj 2nd)
- Trill (Min 2nd)
- Tremolo
- Tremolo (Measured 150 BPM)
- Tremolo (Measured 180 BPM)
- Long Flautando
- Spiccatissimo
- Spiccato
- Staccato
- Marcato
- Brushed
- Pizzicato
Viola
- Performance Legato
- Live Patch
- Legato (Slurred)
- Legato (Portamento)
- Long
- Long Sul Pont
- Long Sul Tasto
- Long Harmonics
- Trill (Maj 2nd)
- Trill (Min 2nd)
- Tremolo
- Tremolo (Measured 150 BPM)
- Tremolo (Measured 180 BPM)
- Long Flautando
- Spiccatissimo
- Spiccato
- Staccato
- Marcato
- Brushed
- Pizzicato
Cello
- Performance Legato
- Live Patch
- Legato (Slurred)
- Legato (Portamento)
- Long
- Long Sul Pont
- Long Sul Tasto
- Long Harmonics
- Trill (Maj 2nd)
- Trill (Min 2nd)
- Tremolo
- Tremolo (Measured 150 BPM)
- Tremolo (Measured 180 BPM)
- Long Flautando
- Spiccatissimo
- Spiccato
- Staccato
- Marcato
- Brushed
- Pizzicato
Double bass
- Performance Legato
- Live Patch
- Legato (Slurred)
- Legato (Portamento)
- Long
- Long Sul Pont
- Long Sul Tasto
- Long Harmonics
- Trill (Maj 2nd)
- Trill (Min 2nd)
- Tremolo
- Tremolo (Measured 150 BPM)
- Tremolo (Measured 180 BPM)
- Long Flautando
- Spiccatissimo
- Spiccato
- Staccato
- Marcato
- Brushed
- Pizzicato
Mixes
Mix 1
A tight mix of the Close Condensers and LCR 1. Perfect for songwriting and general purpose.
Mix 2
A mix with more room, formed of the Close Ribbons, LCR 2, Stereo Mid and Ambients. Suitable for hearing slightly more of the room and mixing with large hall reverbs.
Vintage Mix 1
A vintage mix using Abbey Road’s vintage REDD desk, parallel compression from the RS124, all passed through the J37 tape machine.
Vintage Mix 2
An alternative to Vintage Mix 1, with added Automatic Double Tracking for a distinctly 60s effect.
Mics
LCR 1
3x M50 omni mics in an LCR formation - similar to a Tree but better matched to the ensemble size in the room.
LCR 2
3x Chandler REDD.47 omni mics in an LCR formation.
Close Condenser
The condenser spot mics, useful for a close, full sound.
Close Ribbon
The ribbon spot mics, useful for a close warm sound.
Close Vintage
The vintage spot mics, as used on iconic Studio 2 sessions.
Stereo Ribbon
A stereo XY ribbon mic, positioned at a similar distance to the LCR.
Stereo Mid
An ORTF stereo mid signal, useful for a different perspective of the quintet.
Ambient
A pair of spaced omnis positioned at the back of the room to capture the iconic Studio 2 room sound.
